subject_definitions:
<Subject 1> is the adult man on the left in <Picture 1>, with tousled dark hair, light stubble, an ivory shirt with rolled sleeves, beige trousers and a dark belt.
<Subject 2> is the adult woman on the right in <Picture 1>, with a low dark bun, an ivory high-neck long-sleeved blouse and a muted burgundy long skirt.
<Subject 3> is the mansion study in <Picture 1>, with deep green walls, carved dark walnut, layered doorways, stained-glass window light and a wooden desk.
<Picture 1> is the composition and performance-blocking reference for [Shot 1], placing both characters close together in one frame.
<Audio 1> is the male voice-identity reference for <Subject 1> (S1).
<Audio 2> is the female voice-identity reference for <Subject 2> (S2).

summary:
[reference generation + audio reference] The target video is a 10-second argument in which the man insists on family obligations and the woman forcefully counters with an equally sacred responsibility, using <Picture 1> for <Subject 1>, <Subject 2>, <Subject 3> and their close two-shot; <Audio 1> and <Audio 2> provide the separate male and female voice identities.

retention_analysis:
<Subject 1> (appears in [Shot 1]): fully_preserved - retain the man's facial identity, hair, apparent age and clothing throughout.
<Subject 2> (appears in [Shot 1]): fully_preserved - retain the woman's facial identity, hair, apparent age and clothing throughout.
<Subject 3> (appears in [Shot 1]): fully_preserved - retain the mansion study, materials, palette and window-light direction.
<Picture 1> ([Shot 1] composition reference): fully_preserved - preserve the close two-person arrangement and viewpoint while allowing the specified acting.
<Audio 1>: reference - retain the male speaker's recognizable timbre, accent and resonance; generate a new performance following the target dialogue and anger cues. Do not copy the source waveform, pauses or restrained delivery.
<Audio 2>: reference - retain the female speaker's recognizable timbre, accent and resonance; generate a new performance following the target dialogue and anger cues. Do not copy the source waveform, pauses or restrained delivery.

detailed_description:
The target video is a 16:9 realistic dramatic film scene with deep green walls, dark carved wood, subdued burgundy fabric and ivory clothing. Soft directional window light shapes natural faces, while the intense argument remains the focus; there are no subtitles, captions, logos or additional people.
Both voices remain recognizable as their respective audio references. At the specified peaks, anger produces a loud projected shout with a raw, hoarse, grainy edge and a brief strained vocal break; pitch and roughness may rise naturally without changing the speaker's identity. This is an audible shouted performance with clear syllables, not a whisper, a breathy hiss, a calmly recited sentence or merely a louder recording. Preserve clean microphone sound without digital distortion.
[Shot 1] Use <Picture 1> as the composition reference for a steady medium two-shot in <Subject 3>. <Subject 1> stands on the left and <Subject 2> on the right, close enough that each small reaction is visible beside the speaking face. Preserve their identities, clothing, doorway depth and side lighting. Begin in the ongoing argument, without a neutral introductory pose or a long silent lead-in.
<Subject 1> (S1), using the male voice identity of <Audio 1>, lifts one open palm between them. He believes the answer should be unquestionable and resents her challenge. With a hard stare and rigid jaw, he fires the first question in a raised, biting, impatient voice: <d>[Chinese] 这还用我说吗？</d>
After only a brief catch of breath, <Subject 1> (S1) SHOUTS THE ENTIRE ANSWER with forceful chest projection and a raw, hoarse, cracking edge: <d>[Chinese] 当然是你的丈夫和你的孩子。</d> The burst begins on the word meaning of course. Drive the clause forward and give the words meaning husband and children two distinct vocal peaks. Both roles are shouted clearly, with rough anger in the voice; the second peak remains forceful through its final syllable. His jaw opens wider at those accents and his palm makes one firm downward beat on the final role. Keep his recognizable male timbre through the rise in pitch and temporary rasp. He is imposing his answer on her, with no friendly smile or softened finish. The two dialogue blocks occupy approximately the first four seconds as one rapid, forceful turn. Keep the brief connecting words moving and preserve the complete final syllable. Say each block once, in order, with no added words, repeated roles or long silence. He closes his mouth after the line and listens while she answers.
<Subject 2> (S2), in the female voice identity from <Audio 2>, responds after a brief gap. Her initial acknowledgement is sharp and confrontational, not submissive agreement. On the turn into her counterargument, she lifts her chin and brings one open hand to her upper chest. Her voice rises into a forceful, hoarse assertion on the phrase meaning equally sacred, then carries that pressure through the word meaning responsibility. She says exactly once: <d>[Chinese] 没错，可是我还有同样神圣的责任。</d> Her mouth opens decisively on the stressed syllables, her breath drives the statement forward and her gaze does not leave his face. The phrase has a rough, anger-strained edge, without sobbing, a smile or a soft reassuring finish. The man lowers his palm and watches her, visibly frustrated at being challenged.
Aim for the man's complete line in roughly the first four seconds and the woman's complete response by about eight and a half seconds. Keep the turn-taking pause short, preserving a natural speaking rhythm rather than squeezing the final word. Let the last syllable of her sentence sound fully before her mouth closes. During the remaining second and a half, hold her hand near her chest and their tense eye contact, with a short natural exhale and room tone. Keep the framing and lighting stable through the final frame.

overall_soundscape:
Low indoor room tone, light clothing movement and natural breaths remain underneath the dialogue. The projected voices dominate the sound field with a short, natural indoor reflection. No competing voices, laughter or sound effects cover the final syllables.

non_diegetic_music:
N/A