subject_definitions:
<Subject 1> is the single adult woman shown from three angles in <Picture 1>. Preserve her facial proportions, dark eyes, natural skin texture, hairline and softly arranged dark low bun. Her standing proportions are naturally consistent with a height of approximately 170 cm. The three panels show one identity; only one physical woman appears in the video. Use this image for identity only; her clothes and surroundings come from the shot references.
<Picture 2> is the composition, wardrobe and initial gesture reference for [Shot 1]: the woman has changed into the pine-green short-sleeved qipao, its collar fastening already closed, with fingertips resting near it. The ivory robe now hangs behind her.
<Picture 3> is the full-length composition reference for [Shot 2]: the same woman wears the same green qipao, sheer black hosiery and black low-heeled pumps beside the tall carved mirror.
<Picture 4> is the composition and location reference for [Shot 3]: the same woman, still wearing the green qipao, stands beside the speckled ivory vase and white lotus in the original flower room, looking toward the empty courtyard.

summary:
[reference generation] <Subject 1> completes dressing, regards her reflection, then returns to the white lotus. Follow <Picture 2>, <Picture 3> and <Picture 4> in that order. This ten-second sequence follows a cut from her completed hosiery adjustment; opening fingertips at the fastened collar continue the quiet hand-led rhythm. Maintain composure and finish with her gaze returning to the flowers.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - maintain the same face, hairline, low bun and natural body proportions.
<Picture 2> ([Shot 1] composition anchor): fully_preserved - retain the fitted green qipao, closed collar, hand placement, dressing room and hanging ivory robe.
<Picture 3> ([Shot 2] composition anchor): fully_preserved - retain the full-length framing, same outfit and footwear, carved mirror and reflected room.
<Picture 4> ([Shot 3] composition anchor): fully_preserved - retain the flower room, green outfit, table, speckled vase, two lotus blossoms, one bud and courtyard view.

detailed_description:
The target video is a ten-second, 16:9, realistic live-action sequence with exactly three shots. Warm-neutral daylight, ivory whites, restrained pine green and deep brown wood remain consistent. Natural pores, fine facial hair and lip texture stay visible. Movement has ordinary physical weight, softened wrists and relaxed shoulders. The entire video is silent, without speech, vocalization, ambient sound, effects or music. There are no captions or title cards.
[Shot 1] The opening follows <Picture 2>, a close view of <Subject 1> already wearing the pine-green qipao with its collar fastening closed. Her face and hands are softly lit from the existing window side. The shot opens after an omitted dressing interval: the ivory robe now hangs behind her, and the green dress is no longer on the hanger. Her fingertips rest beside the fastening. By approximately 2.10 seconds, she gently releases them and lowers both hands several centimeters, keeping her fingers loosely curved and her wrists supple. Her eyes lift slightly along the existing off-screen direction; her chin follows only a fraction. Her shoulders stay relaxed, lips naturally settled, and breathing produces a subtle physical rise and fall without sound. The camera holds a stable close shot, preserving the collar, fingers and face together.
[Shot 2] At 00:02.500, the camera cuts to the full-length mirror composition in <Picture 3>, showing the completed green outfit, sheer black hosiery and black low-heeled pumps. The same <Subject 1> now sees her whole reflection. The hand pictured at her waist gently releases the fabric and descends along her side. She makes a tiny weight adjustment with both shoes planted, then draws her chin inward slightly while keeping her neck long and shoulders easy. Finish this motion by approximately 5.50 seconds. Her gaze remains on her reflected face; her expression stays composed. The camera holds a static shot so the carved frame and room remain stable. The reflection duplicates each hand, head and body movement with correct mirror geometry and timing, representing the same woman. Let her hand come to rest before the cut.
[Shot 3] At 00:06.000, the camera cuts to <Picture 4>, returning to the flower room after an omitted walk. <Subject 1> remains in the green qipao; one hand already rests beside the vase on the wooden table. The same two open white lotus blossoms and bud remain in the speckled vessel, with the petal bowl and boxes in their established positions. She initially looks toward the empty courtyard. After a brief pause, her eyes return to the lotus and her head follows with a small downward inclination. Her fingers relax while maintaining their contact point, leaving the nearby objects undisturbed. Complete the gaze change by approximately 9.00 seconds. The camera pulls out with small amplitude at slow speed, giving the window and courtyard slightly more space. During the final second she rests in this composed posture, with only subtle breathing and softly moving outdoor leaves. End on a fully visible image for the editor to finish.

overall_soundscape:
N/A

non_diegetic_music:
N/A
