白莲照影 · 可复制提示词

subject_definitions:
<Subject 1> is the single adult woman shown from three angles in <Picture 1>. Preserve her facial proportions, dark eyes, natural skin texture, hairline and softly arranged dark low bun. Her standing proportions are naturally consistent with a height of approximately 170 cm. The three panels show one identity; only one physical woman appears in the video. Use this image for identity only; her clothes and surroundings come from the shot references.
<Picture 2> is the composition and wardrobe reference for [Shot 1]: the woman holds white lotus flowers on stone steps outside a carved wooden courtyard doorway, wearing an ivory long tunic, white trousers and white shoes.
<Picture 3> is the composition and prop reference for [Shot 2]: the same woman, still in her ivory clothes, touches a white lotus beside a wooden window and table. Preserve the speckled ivory vase, two open lotus blossoms and one bud.
<Picture 4> is the composition, wardrobe and action-state reference for [Shot 3]: the same woman sits in a securely closed ivory robe, with one foot supported on a wooden stool and black sheer hosiery already reaching just below that knee. A pine-green qipao hangs at screen right.

summary:
[reference generation] <Subject 1> carries lotus flowers into the courtyard, tends the same flowers at the window, then quietly prepares her clothing. Follow <Picture 2>, <Picture 3> and <Picture 4> in that order. Use restrained gestures and deliberate cuts to connect the three locations and clothing states within ten seconds.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - maintain the same face, hairline, low bun and natural body proportions.
<Picture 2> ([Shot 1] composition anchor): fully_preserved - retain the doorway, stone steps, ivory outfit, lotus bundle and initial standing arrangement.
<Picture 3> ([Shot 2] composition anchor): fully_preserved - retain the flower room, ivory outfit, vase, lotus arrangement and initial hand contact.
<Picture 4> ([Shot 3] composition anchor): fully_preserved - retain the bedroom arrangement, closed robe, supported foot, existing hosiery height and hanging green qipao.

detailed_description:
The target video is a ten-second, 16:9, realistic live-action sequence with exactly three shots. Warm-neutral daylight, ivory whites, restrained pine green and deep brown wood remain consistent. Natural pores, fine facial hair and lip texture stay visible. Movement has ordinary physical weight, softened wrists and relaxed shoulders. The entire video is silent, without speech, vocalization, ambient sound, effects or music. There are no captions or title cards.
[Shot 1] The opening follows <Picture 2>: <Subject 1> stands full length beneath the carved doorway, her hands gently gathering the lotus stems in front of her. Her elbows remain comfortably close to her body and her shoulders rest low. After a brief pause, she glances toward the next stone tread. From approximately 0.40 to 2.60 seconds, her leading foot settles onto that lower tread, her supporting knee softens, and her weight transfers before the trailing foot joins it. The hem follows with a small delayed sway; the flowers move with her body while remaining securely held. Her head stays poised over her shoulders. The camera pulls out with small amplitude at slow speed, preserving the whole figure and doorway. Allow the step to settle before the cut.
[Shot 2] At 00:03.000, the camera cuts to the window-side composition in <Picture 3>. The cut omits the short walk indoors and placing the stems into the vase; the lotus now stands in the same speckled vessel. <Subject 1> is still wearing the ivory tunic. Starting with the pictured fingertip contact, she lightly supports one petal, lets it yield a few millimeters, and releases it by approximately 5.80 seconds. Her other hand steadies the stems inside the vase. The moving wrist softens as her fingers withdraw, and her gaze follows them before returning to the flower. Her shoulders remain level. The camera pushes in with small amplitude at slow speed, keeping her face, hands and flowers together. Let the released petal settle.
[Shot 3] At 00:06.500, the camera cuts to <Picture 4>, connecting the withdrawing fingertips to hands arranging fabric. This deliberate time omission reveals that <Subject 1> has changed into the closed ivory robe. The camera holds a static medium shot including her face, both hands and the complete raised foot. The hosiery already covers the toes, heel and calf up to the pictured position below her knee. She levels its folded upper edge once, then smooths one small wrinkle immediately beneath it. Her torso inclines slightly from the hips with a relaxed neck; the raised foot keeps its weight on the stool. The robe continues covering her chest, lap and thighs, and the green qipao stays on its hanger. By approximately 9.60 seconds, her fingertips release the material and rise slightly before settling. End on this completed gesture, with wardrobe and room unchanged and no fade.

overall_soundscape:
N/A

non_diegetic_music:
N/A

subject_definitions:
<Subject 1> is the single adult woman shown from three angles in <Picture 1>. Preserve her facial proportions, dark eyes, natural skin texture, hairline and softly arranged dark low bun. Her standing proportions are naturally consistent with a height of approximately 170 cm. The three panels show one identity; only one physical woman appears in the video. Use this image for identity only; her clothes and surroundings come from the shot references.
<Picture 2> is the composition, wardrobe and initial gesture reference for [Shot 1]: the woman has changed into the pine-green short-sleeved qipao, its collar fastening already closed, with fingertips resting near it. The ivory robe now hangs behind her.
<Picture 3> is the full-length composition reference for [Shot 2]: the same woman wears the same green qipao, sheer black hosiery and black low-heeled pumps beside the tall carved mirror.
<Picture 4> is the composition and location reference for [Shot 3]: the same woman, still wearing the green qipao, stands beside the speckled ivory vase and white lotus in the original flower room, looking toward the empty courtyard.

summary:
[reference generation] <Subject 1> completes dressing, regards her reflection, then returns to the white lotus. Follow <Picture 2>, <Picture 3> and <Picture 4> in that order. This ten-second sequence follows a cut from her completed hosiery adjustment; opening fingertips at the fastened collar continue the quiet hand-led rhythm. Maintain composure and finish with her gaze returning to the flowers.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - maintain the same face, hairline, low bun and natural body proportions.
<Picture 2> ([Shot 1] composition anchor): fully_preserved - retain the fitted green qipao, closed collar, hand placement, dressing room and hanging ivory robe.
<Picture 3> ([Shot 2] composition anchor): fully_preserved - retain the full-length framing, same outfit and footwear, carved mirror and reflected room.
<Picture 4> ([Shot 3] composition anchor): fully_preserved - retain the flower room, green outfit, table, speckled vase, two lotus blossoms, one bud and courtyard view.

detailed_description:
The target video is a ten-second, 16:9, realistic live-action sequence with exactly three shots. Warm-neutral daylight, ivory whites, restrained pine green and deep brown wood remain consistent. Natural pores, fine facial hair and lip texture stay visible. Movement has ordinary physical weight, softened wrists and relaxed shoulders. The entire video is silent, without speech, vocalization, ambient sound, effects or music. There are no captions or title cards.
[Shot 1] The opening follows <Picture 2>, a close view of <Subject 1> already wearing the pine-green qipao with its collar fastening closed. Her face and hands are softly lit from the existing window side. The shot opens after an omitted dressing interval: the ivory robe now hangs behind her, and the green dress is no longer on the hanger. Her fingertips rest beside the fastening. By approximately 2.10 seconds, she gently releases them and lowers both hands several centimeters, keeping her fingers loosely curved and her wrists supple. Her eyes lift slightly along the existing off-screen direction; her chin follows only a fraction. Her shoulders stay relaxed, lips naturally settled, and breathing produces a subtle physical rise and fall without sound. The camera holds a stable close shot, preserving the collar, fingers and face together.
[Shot 2] At 00:02.500, the camera cuts to the full-length mirror composition in <Picture 3>, showing the completed green outfit, sheer black hosiery and black low-heeled pumps. The same <Subject 1> now sees her whole reflection. The hand pictured at her waist gently releases the fabric and descends along her side. She makes a tiny weight adjustment with both shoes planted, then draws her chin inward slightly while keeping her neck long and shoulders easy. Finish this motion by approximately 5.50 seconds. Her gaze remains on her reflected face; her expression stays composed. The camera holds a static shot so the carved frame and room remain stable. The reflection duplicates each hand, head and body movement with correct mirror geometry and timing, representing the same woman. Let her hand come to rest before the cut.
[Shot 3] At 00:06.000, the camera cuts to <Picture 4>, returning to the flower room after an omitted walk. <Subject 1> remains in the green qipao; one hand already rests beside the vase on the wooden table. The same two open white lotus blossoms and bud remain in the speckled vessel, with the petal bowl and boxes in their established positions. She initially looks toward the empty courtyard. After a brief pause, her eyes return to the lotus and her head follows with a small downward inclination. Her fingers relax while maintaining their contact point, leaving the nearby objects undisturbed. Complete the gaze change by approximately 9.00 seconds. The camera pulls out with small amplitude at slow speed, giving the window and courtyard slightly more space. During the final second she rests in this composed posture, with only subtle breathing and softly moving outdoor leaves. End on a fully visible image for the editor to finish.

overall_soundscape:
N/A

non_diegetic_music:
N/A