subject_definitions:
<Subject 1> is the approved 24-year-old, 172 cm East Asian woman: face and half-tied dark brown-black hair from <Picture 4>, full wardrobe from <Picture 6>, and street placement from <Picture 1>, <Picture 2> and <Picture 3>. Preserve her cream knitted cardigan, pale inner top, fine necklace, charcoal calf-length skirt, brown flat shoes and oatmeal tote on her anatomical left shoulder and hip. Her voice is a warm, clear young-adult Mandarin voice in a natural medium-high register, soft resonance and relaxed articulation; gentle rather than childish or whispered. She is (S2) in this clip.
<Subject 2> is the approved 27-year-old, 178 cm East Asian man: face and short natural black hair from <Picture 5>, full wardrobe from <Picture 7>, and street placement from <Picture 1> and <Picture 3>. Preserve his gray-white rolled-sleeve cotton shirt, charcoal trousers, gray flat canvas shoes and watch on his anatomical left wrist. His voice is a warm young-adult Mandarin voice in a natural medium-low register, light chest resonance and clear unforced articulation; conversational rather than theatrical. He is (S1) in this clip.
<Picture 1> is the two-person street composition reference for [Shot 1]: man left by the library, woman right along the pavement.
<Picture 2> is the woman's medium-close composition reference for [Shot 2], with a blurred male shoulder at the left edge.
<Picture 3> is the wider departure composition reference for [Shot 3], with increasing distance between the stationary man and the rightward-walking woman.

summary:
[reference generation] Generate one 14.0-second street conversation with cuts at 00:05.000 and 00:11.000. <Picture 1>, <Picture 2> and <Picture 3> guide the corresponding shot compositions and spatial continuity; the remaining pictures retain <Subject 1> and <Subject 2>'s identities and clothing. No photograph is an automatic compulsory first frame, and identity portraits do not become extra shots. Begin with a gentle call, continue through her teasing response, then let her walk away.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - approved face, hair, clothing, adult proportions and anatomical-left tote position.
<Subject 2> (appears in [Shot 1], as shoulder in [Shot 2], and in [Shot 3]): fully_preserved - approved face, wardrobe, left-wrist watch and doorway position.
<Picture 1> ([Shot 1] composition): fully_preserved - shared frame, man left, woman right, readable space between them.
<Picture 2> ([Shot 2] composition): fully_preserved - woman's leftward eyeline and out-of-focus male foreground; his speech is an on-location off-screen line.
<Picture 3> ([Shot 3] composition): fully_preserved - widening separation and woman's rightward departure.
<Picture 4> and <Picture 6>: fully_preserved - female face and wardrobe sources, not new shot locations.
<Picture 5> and <Picture 7>: fully_preserved - male face and wardrobe sources, not new shot locations.

detailed_description:
Create a 14.0-second live-action scene on the same tree-lined pavement outside the library, maintaining soft early-autumn sun, warm skin, olive foliage and cool shaded areas. Use a single landscape image at every instant, with natural skin and fabric detail, stable faces and proportions, and no subtitles, collage, photo dissolves or added grain.

[Shot 1] Frame an eye-level two-shot guided by <Picture 1>. <Subject 2> stands at screen left beside the wooden doorway, his rolled sleeves and left-wrist watch consistent with the references. <Subject 1> has just stepped outside and occupies screen right, her body directed right along the pavement, tote already on her left shoulder. The height difference remains small. He looks right at her; she starts turning her head left. Around 00:00.400, <Subject 2> (S1) calls in his established warm medium-low Mandarin voice, casually and without shouting: <d>[Chinese] 喂，去哪里啊</d> She slows, allows a small smile and replies as <Subject 1> (S2), warm and gentle: <d>[Chinese] 上班哦</d> Complete both lines comfortably before the cut. Keep their expressions readable and attention on each other, not on the camera. Light footfalls soften as she pauses.

[Shot 2] At 00:05.000, the camera cuts to the medium-close composition of <Picture 2>. <Subject 1> stays on the right with looking-room to the left. Only a blurred sliver of <Subject 2>'s shoulder enters the extreme left foreground; his mouth is outside the frame. The camera holds steady on her face. Around 00:05.250, <Subject 2> (S1), off-screen at that nearby left position, speaks his live question: <d>[Chinese] 不上班行不行啊</d> Keep the sound spatially connected to the man beside her, never narration or voiceover. She listens with closed lips, slightly inclines her head and lets a curious smile reach her eyes. After a short natural turn-taking gap, <Subject 1> (S2) answers: <d>[Chinese] 不上班你养我啊</d> Her delivery is gently testing rather than demanding, with no crying or exaggerated flirtation. Finish the entire reply by about 00:10.200, leaving a brief searching glance before she moves.

[Shot 3] At 00:11.000, the camera cuts wider, using <Picture 3> for the departure relationship. She turns naturally and walks toward screen right while he remains near the entrance at screen left. Keep the same camera side of their axis. Her tote swings slightly at her left hip and never changes shoulders; she carries no books. The man follows her with his eyes, mouth closed, gathering resolve without another utterance. Hold the increasing empty space between them until 00:14.000. Keep all four lines exactly as written, once each, and let this silent departure continue naturally into the next scene.

overall_soundscape:
A quiet daytime street bed continues across all three shots: soft leaf movement, distant unobtrusive traffic, footsteps and slight fabric movement. The foreground remains acoustically intimate, with no intelligible background speech, horns interrupting dialogue or source music.

non_diegetic_music:
N/A
